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DISLOCATIONS ON AMAZON

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Check out DISLOCATIONS on Amazon.

Leonardo Electronic Almanac presents its second catalog Dislocations available on Amazon. Dislocations showcases the artworks that were exhibited on the Media Facade of the Museum of Contemporary Art, Zagreb and part of the 12th Istanbul biennial. The catalog sees the collaboration of several international institutions: Kasa Gallery, ISEA2011 Istanbul, Goldsmiths College and Sabanci University. Dislocations presents the artworks by Charles Csuri, David Cotterrell, Danielle Roney & Jeff Conefry, Matthias Fuchs and Songul Boyraz that interpret in a variety of aesthetics and media forms the theme of conflict and war.

The exhibition program was curated Lanfranco Aceti and Tihomir Milovac.

The catalog is authored by Lanfranco Aceti; Ozden Sahin (Editor), Deniz Cem Onduygu (Art Director) and Zeynep Ozel (Designer).

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.