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Floating Point
by Tiffany Holmes
 
     
Floating Point
Floating Point is an electronic sketchbook the artist kept while creating a visualization of water quality
while in residence in Zurich in the Artists-In-Labs program.

Copyright © Tiffany Holmes
     

Tiffany Holmes
Assistant Professor
Department of Art and Technology
The School of the Art Institute of Chicago
112 S. Michigan Avenue
Chicago IL 60603
U.S.A.
Tel: +312 345 3760
Fax: +312 345 3565

http://www.enviroart.org/HolmesColab/docs/

In her project, Floating Point, the artist proposes to study trans-disciplinary methods of information analysis in the context of making pollution data accessible and informative to the general public - through art and performance. The broader goal of the proposed research is to creatively design art that promotes sustainable and ecologically responsible modes of living, and a general awareness of both local and global water quality issues.


In Zurich, the artist creates a two channel video installation that displays a comparison of the dissolved oxygen levels in both Lake Zurich and the Limnat River. To begin this project, she will develop a a piece of hardware from a dissolved oxygen sensor. This hardware will be fashioned to float off a lifejacket or body buoyancy aid. The device will be connected to a laptop that can read the data transmitted in real time and provide an instant visualization of the amount of oxygen available. Currently, the artist is testing content ideas for use in the real-time visualization. The link above connects to the animation studies for the project, which document the process of how the artist conceptualized different ways to image water quality.

 
Artist Biography

Tiffany Holmes
Tiffany Holmes is a multimedia artist whose practice blends traditional materials and new media in large-scale interactive installations. Her work explores the relationship between digital technology and culture with an emphasis on technologies of seeing. Her recent work explores the movement of both human and animal bodies and the visual languages from different disciplines used to capture that movement. She exhibits widely in international and national venues, including the J. Paul Getty Museum in Los Angeles, the Interaction '01 biennial in Japan, ISEA, SIGGRAPH 2000, World@rt in Denmark, Digital Salon ’99 in New York and Madrid, and the Viper media festival in Switzerland. She writes about her work and research and lectures in venues as diverse as the International Symposium on the History of Neuroscience in Zurich, Siggraph ’99, Next 1.0 in Sweden, and the Computer Games, Digital Culture conference in Finland.

With a diverse academic background in painting, animation, and biology, Holmes situates her work at the intersection between artistic, biomedical, and linguistic modes of bodily representation. With a Bachelor's degree in art history from Williams College, Holmes received a Masters of Fine Arts in painting from the Maryland Institute College of Art and an Masters of Fine Arts in digital arts from the University of Maryland, Baltimore County. To promote her interdisciplinary artistic practice, the Society of Fellows at the University of Michigan awarded Holmes a prestigious three-year fellowship. Holmes recently earned an Illinois Arts Council individual grant and an Artists In Labs residency in Switzerland. She is currently an assistant professor of Art and Technology at the School of the Art Institute of Chicago where she teaches courses in interactivity and the history and theory of electronic media.

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