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Leonardo Electronic Almanac / Volume 13, No. 4 / April 2005

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Leonardo Electronic Almanac
Volume 13, No. 4
April 2005
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
 
PARTING WORDS FROM MANAGING EDITOR, PATRICK LAMBELET
 
EDITORIAL
RE: Searching Our Origins
by Paul Brown and Catherine Mason
 
FEATURES
Machines Fall Apart: Failure in Art and Technology
by Jennifer Gabrys
Art and Technology in Argentina: The Early Years
by Rodrigo Alonso
Movements And Passages: The Legacy of Net Art
by Elisa Giaccardi
Recent Actions to Preserve, Document and Disseminate 50 Years of Latin American Electroacustic Music
by Riccardo Dal Farra
Timeline [Who Writes the History?] – Artist Statement
by Petri Raappana with Kristine Ploug
 
ONE FROM THE VAULT: FROM THE LEA ARCHIVES
Critical Issues In Electronic Media
by Simon Penny
Culture, Democracy And Computer Media
by Paul Hertz
 
LEONARDO REVIEWS
Tara’s Room: Two Meditations On Transition And Change,
reviewed by Stefaan Van Ryssen
Electrotherapy
reviewed by Stefaan Van Ryssen
Frequency, Altitude and Time,
eviewed by Stefaan Van Ryssen
Invisible Cities, A Metaphorical Complex Adaptive System,
reviewed by Stefaan Van Ryssen
Middle of the Moment
reviewed by Stefaan Van Ryssen
Style In The Technical And Tectonic Arts; Or, Practical Aesthetics
reviewed by Stefaan Van Ryssen
 
ISAST NEWS
Meredith Tromble Joins Leonardo Advisory Board
The Pacific Rim New Media Summit: A Pre-Symposium to ISEA2006
PRNMS Working Group On Directory
PRNMS Working Group On Latin American-Asia New Media Initiatives
 
BYTES
LEA Special CFP: Wild Nature and the Digital Life
Correction: Leonardo Journal, April 2005

Leonardo Electronic Almanac / Volume 13, No. 4 / April 2005

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.