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Leonardo Electronic Almanac / Volume 14, No. 5-6 / August-September 2006

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Leonardo Electronic Almanac
Volume 14, No. 5-6
August-September 2006
ISSN #1071-4391

TABLE of CONTENTS
 
INTRODUCTION
Nisar Keshvani

EDITOR’S NOTE
Nisar Keshvani
 
GUEST EDITORIAL
Tim Peterson on New Media Poetry and Poetics
 
ESSAYS
Code as Language
Loss Peque–o Glazier
Lens: The Practice and Poetics of Writing in Immersive VR (A Case Study with Maquette)
– John Cayley with Dimitri Lemmerman
Numbered Space and Topographic Writing
Lori Emerson
Digital Poetry: From Cybertext to Programmed Forms
Phillippe Bootz
Concrete and Digital Poetics
Manuel Portela
Writing the Virtual: Eleven Dimensions of E-Poetry
Stephanie Strickland
_Net.Drenching — Creating The Co[de][i]n.Text_
Mez
Morphing Into New Modes of Writing: John Cayley’s riverIsland
Maria Engberg
‘Virtual Typography’: Time Perception in Relation to Digital Communication
Matthias Hillner
 
GALLERY
Waxing Lyrical with New Media Poetics and Poetry
Hymns of the drowning swimmer
Jason Nelson
open.ended
Aya Karpinska and Daniel Canazon Howe
MotionText Ferment
mIEKAL aND and CamillE BacoS
The Trustfiles
Nadine Hilbert and Gast Bouschet
 
DISCUSSION LIST
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DISCUSSION  FORUM
Watch this spacef or details on LEA’s live forum with authors

 

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.