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Leonardo Electronic Almanac / Volume 9, No. 7 / July 2001

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Leonardo Electronic Almanac
Volume 9, No. 7
July 2001
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Molly Hankwitz
 
FEATURE ARTICLES
Space as Narrative Context: Architecture as a Storytelling Medium
by Celia Pearce
3D Computer Interaction Using Physical Objects: Exploration of Tangible User Interfaces
by Ehud Sharlin et al
From a relational history of technology to the design of a three-dimensional electronic book: “The Encoded Eye, the Archive, and its Engine House.”
by David Tomas
 
ANNOUNCEMENTS
cast01: Living in Mixed Realities
Open Source Architecture: The Future Art Space
Switch Announces New Issue
ArtSci2001: Catalyst for Collaboration
MidAmerican Center for Contemporary Music
Distributed Art Publishers New Releases
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 9, No. 7 / July 2001

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.