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Leonardo Electronic Almanac / Volume 1, No. 2 / October 1993

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Leonardo Electronic Almanac
Volume 1, No. 2
October 1993
ISSN #1071-4391

TABLE of CONTENTS

Introduction Craig Harris

Perspective From Appearance to Apparition: Communications and Consciousness in the Cybersphere Roy Ascott

Abstracts

Artists’ projects with virtual reality technology Roger Malina

Dan O’Sullivan
Nai-Wai Hsu
Toni Dove
Eric Darton
M.R. Petit

Words on Works Judy Malloy

Marisa Gonzalez: Miradas en el Tiempo (Glances in Time)
Richard Lowenberg: Information Revolutions
Franziska Megert: Arachne Vanitas
Joel Slayton: Telepresent Surveillance
Stephen Pope: The Elgaland/Vargaland Project and
“Paragraph 31 All Gates Are Open”

Profile Annie Lewis

National Online Media Association Review

Composer to Composer ‘93 – Interactive Music, Media and Performance Bonnie Wright

Events Annie Lewis

5TH Washington DC Virtual Reality Conference – Washington, DC

Los Angeles Virtual Reality Conference – Los Angeles, California

Virtual Reality Systems FALL ‘93 – New York City, New York
Other Minds: Center for the Arts at Yerba Buena Gardens – San Francisco, California

MultiMediale 3: The Media Arts Festival of the Center for the Arts – Karlsruhe, Germany

X Colloquium on Musical Informatics Advanced Program – Milan, Italy

Cyberculture Houston 93 – Houston, Texas

Underground Public Art Installation by Leni Schwendinger – Denver, Colorado

IS&T/SPIE Symposium on Electronic Imaging Science and Technology – San Jose, California

Unusual Delights – Raliegh, North Carolina

Publications Annie Lewis

CyberEdge Journal Special Editions
Perforations 5

 

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Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.