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Leonardo Electronic Almanac / Volume 10, No. 11 / November 2002

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Leonardo Electronic Almanac
Volume 10, No. 11
November 2002
ISSN #1071-4391
 
EDITORIAL
by Michael Punt
 
LEONARDO DIGITAL REVIEWS
 
The Interaction ‘01: Dialogue with Expanded Images
Reviewed by Mike Mosher
The Third International @rt Outsiders Festival: Du bio-art ˆ la vie artificielle (From Bio-art to Artificial Life)
Reviewed by Stefaan Van Ryssen
Ars Electronica 2002: Unplugged – Art as the Scene of Global Conflict
Reviewed by Aparna Sharma
La Rioja
Reviewed by Claire Barliant
EREIA
Reviewed by Curtis Bahn
Art, Science, Technology: A New Step in St. Petersburg
Reviewed by Mikhail S. Zalivadny
Art and Optics: Toward an Evaluation of David Hockney’s New Theories
Reviewed by Wilfred Niels Arnold
Seventh Annual Meeting of the International Society for the History of the Neurosciences
reviewed by Amy Ione
New Music for Player Piano
Reviewed by Mike Mosher
Air, Light and Utopia: The Modern Movement in Architecture
Reviewed by Roy R. Behrens
Paris 1900: Une Capitale des Arts and 1900: Art at the Crossroads
reviewed by Roy R. Behrens
Arte Vision: Una Historia del Arte Electr—nico en Espa–a
Reviewed by Fred Andersson
Playtime and Barcode Music
reviewed by Robert Pepperell
 
ISAST NEWS
OLATS News
 
ANNOUNCEMENTS
LEA 2003 : Open Call for Papers
LEA Special Issue CFP – Consciousness Studies East And West
Two New Leonardo Books: Uncanny Networks by Geert Lovink &
Virtual Art by Oliver Grau

Leonardo Electronic Almanac / Volume 10, No. 11 / November 2002

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.