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Leonardo Electronic Almanac / Volume 12, No. 1 / January 2004

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Leonardo Electronic Almanac
Volume 12, No. 1
January 2004
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
LEA Special Issue – Groove, Pit and Wave: Recording, Transmission and Music
Leonardo Music Journal, Volume 13 2003 – Table of Contents
 
FEATURES
Performance Space Meets Cyberspace: Seeking the Creative
Idiom and Technical Model for Live Music on Broadband
by Michael Bussière
The Gallbladder Sonata: Transmission Time on the Internet
by Marlena Corcoran
Mdiating (through) Imagination: Web-based Sound Art
by Trace Reddell
 
LEONARDO REVIEWS
The Trouble with Nature: Sex in Science and Popular Culture
Reviewed by Pia Tikka
Enough
reviewed by George Gessert
The Edge of Surrealism: A Roger Caillois Reader
reviewed by Allan Graubard
 
LEONARDO ABSTRACTS SERVICE
 
ISAST NEWS
Leonardo Call For Papers: 7th Workshop on Space and the Arts
Leonardo/ISAST collaboration with ISEA 2006

Leonardo Electronic Almanac / Volume 12, No. 1 / January 2004

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.