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Leonardo Electronic Almanac / Volume 12, No. 2 / February 2004

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Leonardo Electronic Almanac
Volume 12, No. 2
February 2004
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
 
FEATURES
Recursive Audio Systems: Acoustic Feedback in Composition
by Christopher Burns and Matthew Burtner
Turn/Stile: Remixing Udo Kasemets’ *Calendaron*
by Tobias C. van Veen
 
LEONARDO REVIEWS
A Culture of Fact – England, 1550-1720
reviewed by Stefaan Van Ryssen
American Modernism: Graphic Design, 1920 to 1960
Reviewed by Roy R. Behrens
A Thing in Disguise: The Visionary Life of Joseph Paxton
reviewed by Dennis Dollens
The Book of the Pharaohs
reviewed by Enzo Ferrara
 
LEONARDO JOURNAL
*Leonardo*, vol. 37, no. 2 (April 2004) – table of contents and selected abstracts
 
LEONARDO ABSTRACTS SERVICE
Portrait of the Artist in Red Ink, by Jennifer Henderson
 
OPPORTUNITY
Faculty Position: Asst or Assoc Prof, New Media Arts
University of California San Diego

Leonardo Electronic Almanac / Volume 12, No. 2 / February 2004

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.