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Leonardo Electronic Almanac / Volume 12, No. 4 / April 2004

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Leonardo Electronic Almanac
Volume 12, No. 4
April 2004
ISSN #1071-4391
 
TABLE of CONTENTS
 
EDITORIAL
The Monthly Miracle
by Nisar Keshvani
 
FEATURE
10 Years Ago in LEA – Metavirtue and Subreality or “The Involuntary Walker as Virtuous Subject Yet Only Semi-Intelligent Agent” or “Birds or No-Ledge to Stand On”
by David Blair
 
CALL FOR PAPERS
 
LEONARDO REVIEWS
Animal, Vegetable, Video
reviewed by Luisa Paraguai Donati
Sex, Time and Power: How Women’s Sexuality Shaped Human Evolution
reviewed by Dene Grigar
Painted Love: Prostitution in French Art of the Impressionist Era
reviewed by Wilfred Niels Arnold
Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency
reviewed by Rob Harle
 
LEONARDO JOURNAL
LEONARDO table of contents and selected abstracts – Vol. 37, No. 3 (June 2004)
 
LEONARDO ABSTRACTS SERVICE
A Procedural Model for the Integration of Physical and Cyberspaces in Architecture
by Peter Anders
 
OPPORTUNITIES
RE:SEARCHING OUR ORIGINS: Critical and Archival Histories of the Electronic Arts
Critiquing Regional Strategies for Digital Arts and Electronic Music in Asia and the Pacific
From the Extraordinary to the Uncanny: the persistence of a parallel universe
New Media Designer: School of the Art Institute of Chicago

Leonardo Electronic Almanac / Volume 12, No. 4 / April 2004

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.