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Leonardo Electronic Almanac / Volume 12, No. 5 / May 2004

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Leonardo Electronic Almanac
Volume 12, No. 5
May 2004
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
 
EDITORIAL
Art and Design: Cures for Society’s Growing Data Perceptual Blindness?
by Julio Bermudez
 
FEATURES
Toward the Glass Bead Game – A Rhetorical Invention
by Joshua Fost
PNN: Digital Sampling To Create A Hybrid Media Feed
by Jack Stenner
Project Description: ERA (Escuela Rual Andina de Cajamarca) -Activating the Talents of Rural Peru’s Artisans
by Sabine Vess
 
LEONARDO REVIEWS
Reading Psycho-Analysis: Freud, Rank, Ferenczi, Groddeck,
reviewed by Coral Houtman
The Matrix of Visual Culture: Working with Deleuze in FilmTheory
reviewed by David Surman
 
LEONARDO ABSTRACTS SERVICE
Multiuser Environments as (Virtual) Spaces to (Hybrid) Spaces as Multiuser Environments – Nomadic Technology Devices and Hybrid Communication Places
by Adriana de Souza e Silva
 
ANNOUNCEMENTS
Leonardo/ISAST office moving
 
ISAST NEWS
In Memorium: Iba Ndiaye Diadji
In Memorium: Piotr Kowalski
Preliminary Announcement: International Art and Technology History Conference
Leonardo/ISAST Participation with College Art Association
Leonardo Network Member Profiles: Julio Bermúdez and Penelope Finnie

Leonardo Electronic Almanac / Volume 12, No. 5 / May 2004

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.