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Leonardo Electronic Almanac / Volume 12, No. 7 / July 2004

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Leonardo Electronic Almanac
Volume 12, No. 7
July 2004
ISSN #1071-4391
 
INTRODUCTION
 
FEATURE
Translation, Transcodification, Transmission: Erika Tan’s *Pidgin: Interrupted Transmission*
by Janice Cheddie
 
LEONARDO REVIEWS
Europe-Asia Contemporary Music Festival
reviewed by Alexandre A. Ovsyannikov
HYLE: International Journal for Philosophy of Chemistry
reviewed by Rob Harle
Luchino Visconti
reviewed by Andrea Dahlberg
 
LEONARDO JOURNAL
LEONARDO selected abstracts – Vol. 37, No. 4 (August 2004)
 
LEONARDO COLLABORATION ANNOUNCEMENT
ISEA 2004
 
ISAST NEWS
Leonardo/ISAST new address
Pacific Rim New Media Summit: A pre-symposium program of ISEA 2006
Leonardo and Harvestworks event collaboration
Leonardo/ISAST collaborates on 100th anniversary colloquium on Gregory Bateson
Leonardo and Ours Foundation announce Virtual Vernissage of Spacearts Database

Leonardo Electronic Almanac / Volume 12, No. 7 / July 2004

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.