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Leonardo Electronic Almanac / Volume 13, No. 1 / January 2005

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Leonardo Electronic Almanac
Volume 13, No. 1
January 2005
ISSN #1071-4391
 
TABLE of CONTENTS
 
EDITORIAL
Editor’s Reflections
by Nisar Keshvani
 
FEATURES
Thank you LEA Peer Reviewers 2004
*The Dusable Project*: Hypertext Narrative Strategies in Live Performance
by Kathryn Farley
10 Years Ago in LEA – B*rbie’sVirtualPlayhouse@CityOfTheFuture.ent A Very Low-Tech, Pseudo-Immersive Reality
by Henry See
LEA Author Index 2004
LEA Highlights 2004
 
LEONARDO REVIEWS
Film Art Phenomena
reviewed by Mike Leggett
New Philosophy for New Media
reviewed by René Beekman
Funology: From Usability to Enjoyment
reviewed by John Knight
 
OPPORTUNITIES
Director, Institute for E-Learning and Research in the Arts and Design, Penn State University
 
ISAST NEWS
Leonardo and San Francisco Art Institute Announce Partnership
New Horizons Award Given to Critical Art Ensemble
2004 Leonardo Excellence Award Jury

Leonardo Electronic Almanac / Volume 13, No. 1 / January 2005

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.