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Leonardo Electronic Almanac / Volume 13, No. 10 / October 2005

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Leonardo Electronic Almanac
Volume 13, No. 10
October 2005
ISSN #1071-4391
 
TABLE of CONTENTS
 
LEONARDO ABSTRACT SERVICE DATABASES (LABS)
Recent top-rated abstracts from the Spanish-language and English-language databases:
“Research arts: la interseccion arte, ciencia y tecnolog’a como campo de conocimiento y de acción”
by Stella Veciana
“El Procés d’Interacció com a Base de l’Experiència Estètica en les Propostes Artístiques que utilitzen la Tecnologia de la Realitat Virtual”
by Roc Parés Burguès
“Relations between Art and Science at Museums and Science Centres from 1969 until 2000”
by Maria do Rosário de Assumpção Braga
“The Kinesfield: a Study of Movement-based Interactive and Choreographic Art”
by Gretchen Schiller
“Almost Immortal: Aesthetic Ritual and Biological Mutation”
by Alex Metral
“Internal Networks: Telepathy Meets Technology in the Dream Pod”
by Camille Baker
“Quantum Feminist Mnemotechnics: The Archival Text, Electronic Narrative and the Limits of Memory”
by Carolyn G.Guertin
“Participatory Media: Visual Culture in Real Time”
by Daniel Palmer
 
LEONARDO REVIEWS
Art Since 1900: Modernism, AntiModernism, Postmodernism
reviewed by Andrea Dahlberg
At a Distance-Precursors to Art and Activism on the Internet
reviewed by Mike Leggett
 
LEONARDO MUSIC JOURNAL
Contents: Leonardo Music Journal Vol. 15
 
LEONARDO NETWORK NEWS
Leonardo Co-Sponsors Space Sciences Lab Artists-in-Residence Semiconductor
Pacific Rim New Media Summit Experimental Publishing Project
In Memoriam: Bob Moog (a personal tribute by Marc Battier)
 
BYTES
Director, Institute for e-Learning and Research in the Arts and Design College of Arts and Architecture, The Pennsylvania State University
Director, School of Film and Digital Media, University of Central Florida
Call for Proposals for upcoming trans-disciplinary conference “CAMOUFLAGE”
INTERNATIONAL CONFERENCE: New Constellations: Art, Science and Society

Leonardo Electronic Almanac / Volume 13, No. 10 / October 2005

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.