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Leonardo Electronic Almanac / Volume 13, No. 6-7 / June-July 2005

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Leonardo Electronic Almanac
Volume 13, No. 6-7
June-July 2005
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
 
EDITORIAL
New Media Arts, Technology and Education @ MAAP Singapore 2004
by Hock Soon Seah and Kim Machan
 
FEATURES
New Forms for 21st Century Conceptualism
by Dew Harrison
Virtual Campus – It is Fun and Educational
by Alexei Sourin, Konstantin Levinski and Qi Liu
Astral Travel in Virtual Realms: Evaluating Conceptual Understanding in Digital Reconstructions of Past Cultures
by Erik Malcolm Champion
In Between Institution and Market – the Role of Media Art and Infrastructure in the Era of Post-Regional Integration
by Andrew H. K. Lam and Andy Tam T. K.
Digital Speculations
by Bharat Dave
Idensity®
by Elizabeth Sikiaridi and Frans Vogelaar
 
ONE FROM THE VAULT: FROM THE LEA ARCHIVES
Molten Media and the Infiltration of the Law
by Curtis E.A. Karnow
 
LEONARDO REVIEWS
After Adorno: Rethinking Music Sociology
reviewed by David Beer
The Transparent Body: A Cultural Analysis of Medical Imaging
reviewed by Jan Baetens
Liminal Lives: Imagining the Human at the Frontiers of Bioscience
reviewed by Eugene Thacker
 
LEONARDO JOURNAL
Contents and Abstracts: *Leonardo* Vol. 38, No. 4
 
ISAST NEWS
*Leonardo* Editorial Office Moves to San Francisco Art Institute
Brainstorming for *Leonardo’s* 40th Anniversary
Leonardo@SIGGRAPH Town Hall Meeting
The Pacific Rim New Media Summit: A Pre-Symposium to ISEA2006
PRNMS Working Group On Organizations/Symposia-Pacific Rim Residencies
 
BYTES
CFP – Leonardo Music Journal 16 (2006)
CFP – Leonardo Abstracts Service
CFP – Digital ‘05: “EXQUISITE”
Jacques Mandelbrojt at the 17th Earagail Arts Festival, Donegal, Ireland
 
OBITUARY
Inspired by the stars and earth: Joan Brassil, Artist,
teacher, mentor 1919-2005

Leonardo Electronic Almanac / Volume 13, No. 6-7 / June-July 2005

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.