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Leonardo Electronic Almanac / Volume 15, No. 1-2 / January-February 2007

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Leonardo Electronic Almanac
Volume 15, No. 1-2
January-February 2007
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
 
EDITOR’S NOTE
Thank you everyone!
by Nisar Keshvani
 
LEA UNYAZI SPECIAL
Supplement to Leonardo Music Journal 16 (2005) – Noises Off: Sound Beyond Music
Introduction — Unyazi
by Jürgen Bräuninger
Pauline Oliveros in the Arms of Reynols: A Collaboration
by Pauline Oliveros
The Burkina Electric Project and Some Thoughts about Electronic Music in Africa
by Lukas Ligeti
The Borders of Identity, A Personal Perspective
by Dr. Rodrigo Sigal
Music Technology at Stellenbosch University
by Theo Herbst
The Anxiety of the Client: Dilemmas of the Database as a Compositional Tool
by Matthew Ostrowski
 
LEAD – Wild Nature and Digital Life Chat Transcripts (English Portuguese)
Supplement to LEA Vol 14 No 07 08 (November 2006)
Moderators Note
Digital and Wild: Beyond “Generative/Emergent” and “Locative/Performative”
(English Portuguese)
by Marcus Bastos and Ryan Griffis
Jeremy Hight & Peter Hasdell (English Portuguese)
7 February 2007 @ 1700hrs EST
Sue Thomas & Giselle Beiguelman (English Portuguese)
29 January 2007 @ 1700hrs EST
Jennifer Willet (English Portuguese)
17 January 2007 @ 1700hrs EST
Dene Grigar & Tara Rodgers (English Portuguese)
10 January 2007 @ 1700hrs EST
Brett Stalbaum & Kathryn Yusoff (English Portuguese)
3 January 2007 @ 1700hrs EST
 
ANNOUNCEMENTS
Leonardo Music Journal (Vol 16)
Leonardo Abstracts Service (LABS) – 2nd and 3rd Quarter 2006
 
JOB POSTINGS
Art Institute of Chicago – Faculty in 2D Animation
Art Institute of Chicago – Faculty in 3D Animation
 

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.