Old Issues

Leonardo Electronic Almanac / Volume 15, No. 5-6 / May-June 2007

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Leonardo Electronic Almanac
Volume 15, No. 5-6
May-June 2007
ISSN #1071-4391
 
TABLE of CONTENTS
 
EDITOR’S NOTE
by Nisar Keshvani
 
LEA – ACM Multimedia Interactive Arts Program Special
Introduction: LEA-ACM Multimedia Special
by Alex Jaimes
 
Lucidity: A Movement-based Interactive Dance Performance
by Jodi James, Todd Ingalls, Gang Qian, Loren Olson and Thanassis Rikakis
A Dynamic Life of Cause: A Concept and Models Using for Computer-Assisted Choreography
by Chi-Min Hsieh and Annie Luciani
MobiLenin and Manhattan Story Mashup – Two multimodal user interfaces for creating and sharing interactive artistic experiences
by Jürgen Scheible
Facilitating Musical Creativity: In Collectivity and Mobility
by Atau Tanaka

The Two approaches to collective sound creation in different temporal settings:
SINE WAVE ORCHESTRA stay and The SINE WAVE ORCHESTRA mediate
by Kazuhiro Jo, Ken Furudate, Daisuke Ishida and Mizuki Noguchi
Adaptive methods for the development of interaction in artistic installations
by Raquel Paricio García and J. Manuel Moreno Aróstegui
Human Movement and Clear Affordances Promote Social Interaction
by Andrew Webb, Andruid Kerne and Eunyee Koh
 
GALLERY
Waxing Lyrical with New Media Poetics & Poetry
 
CALL FOR PAPERS
Dispersive Anatomies
Creative Data
 
ANNOUNCEMENTS
E-Poetry Symposium 2007
Asst Prof at Uni of Texas

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.