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Leonardo Electronic Almanac / Volume 15, No. 9-10 / September-October 2007

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Leonardo Electronic Almanac
Volume 15, No. 9-10
September-October 2007
ISSN #1071-4391
 
TABLE of CONTENTS
 
LEONARDO REVIEWS
Introduction by Michael Punt
 
Camouflage and Art: Design for Deception in World War 2, by
Henrietta Goodden
Reviewed by Roy R. Behrens
Cartographic Cinema, by Tom Conley
Reviewed by Jan Baetens
Much Ado About Almost Nothing: Man’s Encounter with the
Electron, by Hans Camenzin
Reviewed by John F. Barber
New Leonardo Reviews, September and October, 2007
 
LEONARDO
Table of Contents: Leonardo Vol. 40, No. 5, 2007
 
LEONARDO ABSTRACT SERVICE
Expressive Processing: On Process-Intensive Literature and Digital Media
by Noah Wardrip-Fruin
Generative Music and Cellular Automata
by David Burraston
Aquabatics as new works of Live Art
by Sarah Jane Pell
Interactive Technologies for the Public Sphere: Towards a Theory of Critical Creative Technology by Pamela Jennings
Landscape Denatured: Digitizing the Wild
by Eric Kabisch
This is not here: Connectedness, remote experiences and immersive telematic art
by Michael Hohl
 
LEONARDO NETWORK NEWS
Meredith Tromble Elected Secretary of Leonardo Governing Board
Transactions Section Offers Rapid Publication Forum in Leonardo Journal
Leonardo in Argentina: CEIArtE Lecture and Workshop series (2007–2008)
Recent Events and Projects of the Leonardo Scientists Working Group
 
BYTES
Digital Humanities Chair Position available at Dartmouth College

Leonardo Electronic Almanac / Volume 15, No. 9-10 / September-October 2007

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.