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Leonardo Electronic Almanac / Volume 2, No. 1 / January 1994

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Leonardo Electronic Almanac
Volume 2, No. 1
January 1994
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue
The distributed LEA and ftp services
Letters to the editor
Leonardo Electronic Almanac – Resource Development Survey

FEATURE ARTICLES
B*rbie’sVirtualPlayhouse@CityOfTheFuture.ent A Very Low-Tech, Pseudo-Immersive Reality Henry See
A Taxonomy of Computer Music Stephen Pope
A Perspective on a Computer Music Taxonomy Craig Harris

PROFILES
The Xerox PARC PAIR Project Rich Gold

REVIEWS
The Yamaha Morpheus VL-1 Synthesizer Richard Zvonar

ANNOUNCEMENTS
Wired Magazine – Internet Update
New Voices, New Visions Competition
ON LOCATION – Site Specific Artworks in Liverpool City Centre
The Arts Dyslexia Trust – Call for Work
Prix Ars Electronica Information

PUBLICATIONS
Eternal Network: A Mail Art Anthology Chuck Welch

Files:

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.