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Leonardo Electronic Almanac / Volume 2, No. 10 / October 1994

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Leonardo Electronic Almanac
Volume 2, No. 10
October 1994
ISSN #1071-4391
TABLE of CONTENTS

INTRODUCTION
A Note about Submission of Material to LEA
New Address Reminder
Letters to the Editor Mike Leggett, Bob Willey

FEATURE ARTICLES
A Response to the “Curators Are Dead” Thread Mike Leggett
CD-ROM – the 21st CENTURY BRONZE ? Mike Leggett

PROFILES
‘Die Veteranen’ – an Art CD-ROM project Stephan Eichhorn, Tjark Ihmels, KP Ludwig John, Michael Touma
“Art Machines” The Sculpture of Norman Tuck” Linda Dackman/Reena Jana
Artifices 3 Yvette Sautour
Doors of Perception 2 Jouke Kleerebezem

LEONARDO DIGITAL REVIEWS Roger Malina et al
World Wide Web Site Review: “Different Pictures Provided by Avi Rozen”
World Wide Web Site Review: Computer Music Journal
World Wide Web Site Review: The Chesley Bonestell
Interactive Art Gallery
World Wide Web Site Review: LEGO Information
World Wide Web Site Review: MusicLink
World Wide Web Site Review: Godzilla
World Wide Web Site Review: San Francisco Examiner
Audio Compact Disc Review: Electro Acoustic Music,Volume II
Book Review: Nanotechnology Playhouse: BuildingMachines from Atoms
Leonardo Digital Review Notices
Leonardo Digital Reviews Classified Advertisements

ANNOUNCEMENTS
2nd International Conference on Acoustics and Musical Research Giovanni De Poli

PUBLICATIONS
LEONARDO SPECIAL ISSUE -“Prometheus: Art, Science and Technology in the Former Soviet Union” Bulat M. Galeyev, Guest Editor

DESIGN QUARTERLY Michael Darden

DESIGN BOOK REVIEW – A Special Double-Issue Entitled__Other Americas: Contemporary Architecture and Issues in Latin America__ Michael Darden

PRESENCE Mosaic Page Michael J. Zyda

JOB ANNOUNCEMENTS
FACULTY VACANCY IN ELECTRONIC AND COMPUTER MUSIC Karen L. Wolff, Dean

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.