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Leonardo Electronic Almanac / Volume 2, No. 11 / November 1994

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Leonardo Electronic Almanac
Volume 2, No. 11
November 1994
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris
Joan Truckenbrod joins the LEA Editorial Advisory Board

FEATURE ARTICLES
‘Die Veteranen’ – a conversation about CD-ROM Art

LEONARDO DIGITAL REVIEWS Roger Malina et al
Conference Review: International Conference on Color Education (Art/Science Forum)
Book Review: Visions of the Future: Art, Technology, and Computing in the Twenty-First Century
Book Review: Embodied Mind: Cognitive Science and Human Experience
Exhibition Catalog Review: Aligi Sassu, Pinturas 1927-1990
Book Review: Les Riches Heures de l’Alphabet
World Wide Web Site Review: Mathart.com
Leonardo Digital Review Notices
Leonardo Digital Reviews Classified Advertisements

ANNOUNCEMENTS
Chimera – a Forthcoming Event Neil Berecry or Adrian Hall
League of Composers/ISCM – 1995 National Composers Competition Jason Uechi
League of Composers/ISCM – Call for Proposals from Performers Jason Uechi
Institute for Advanced Technology in the Humanities
Leonardo World Wide Web site opens for visitors
The Creative Work Fund

PUBLICATIONS
1993 and 1994 SIGGRAPH Visual Proceedings

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.