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Leonardo Electronic Almanac / Volume 2, No. 3 / March 1994

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Leonardo Electronic Almanac
Volume 2, No. 3
March 1994
ISSN #1071-4391
TABLE of CONTENTS

INTRODUCTION
This issue
Letters to the Editor
Comments on Henry See’s “Brbie’sVirtualPlayhouse@CityOfTheFuture.ent”
Sonya Rapoport

FEATURE ARTICLES
Sidelights on Visual Texture Luis Caivano
Binarisation Performances: Direct Intervention on the Digital Networks Bernard Demiaux
Les Miradors De La Paix (The Watchtowers of Peace) Fred Forest
Paradise Tossed Jill Scott

PROFILE
Computer Animation Courses at Bournemouth University, UK Stephen Bell

LEONARDO DIGITAL REVIEWS Roger Malina et al
CD-I REVIEW: BLAM !
AUDIO CD REVIEW: Transform: The Nerve Event Project
BOOK REVIEW: Leonardo da Vinci: The Daedalian Mythmaker
BOOK REVIEW: What computers still can’t do; A critique of Artifical reason
BOOK REVIEW: ARTSAT
JOURNAL REVIEW: Contemporary Impressions
JOURNAL REVIEW: Intermedia; Nuevas Tecnologas, Creacion, Cultura
MATERIALS RECEIVED
CLASSIFIED ADVERTISING

ANNOUNCEMENTS
TELEMATIC WORKGROUP – European Virtual Arts Community
1st BRAZILIAN SYMPOSIUM ON COMPUTER MUSIC
The Pong Festival – A Brown University Symposium for Art and Technology
Concert Opportunity for Electroacoustic Music
Call for Electronic/Computer Music Works
Publishing Opportunity: Computer Music Compositions for
Independent Release
New Dates for ISEA 94
ISEA 95 Announcement
New Voices, New Visions Competition – Update

PUBLICATIONS
Networked Scholarship: MIT’s New, Electronic
CHICAGO JOURNAL OF THEORETICAL COMPUTER SCIENCE

JOB OPPORTUNITIES
Executive Director, San Francisco Cinematheque

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA SUBMISSION GUIDELINES & PAST ISSUES ON TECHINFO.MIT.EDU

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

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Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.