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Leonardo Electronic Almanac / Volume 2, No. 4 / April 1994

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Leonardo Electronic Almanac
Volume 2, No. 4
April 1994
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue

FEATURE ARTICLES
Metavirtue and subreality David Blair
Why is Good Electroacoustic music So Good? Why is Bad Electroacoustic music So Bad? Stephen Travis Pope

PROFILES
Association Science Technologie et Societe – Paris, France
The International Center for Video Creation (CICV) – Herimoncourt
STARNET – Science Technology and Art Network

ANNOUNCEMENTS
Natural Science and Art / Art and Natural Science – Attempts at Encounter
Residency Program at the Experimental Television Center – Newark Valley, NY
Electronic Music Graduate Assistantships at Ohio University School of Music
The 4th International Electro-Video Clip Competition
ART ‘95 – New International Art Competition
1995-96 Fulbright Grants
Technology and the Composer – Luxembourg and Maryland
Call for VIDEOS for MULTIMEDIA ‘94 – Extended Deadline

PUBLICATIONS
IDEA – Directory of Electronic Arts 1994-1996
“Configurations” – A Journal of Literature, Science, and Technology
Design and Technology – A New Book Series
Artificial Life Online BBS service – alife.santafe.edu

JOB ANNOUNCEMENTS
Two Positions at Interval Research

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA SUBMISSION GUIDELINES & PAST ISSUES ON TECHINFO.MIT.EDU

LEA PUBLISHING & SUBSCRIPTION INFORMATION

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Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.