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Leonardo Electronic Almanac / Volume 2, No. 5 / May 1994

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Leonardo Electronic Almanac
Volume 2, No. 5
May 1994
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
Guideposts and Monasteries on the Digital Highway; Roger Malina

LEONARDO DIGITAL REVIEWS
LDR CONTENTS
EXHIBITION REVIEW: Color in the Shadows: Bay Area Cyberart
COMPUTER SOFTWARE REVIEW: Woggles from Oz: Writing Interactive Fiction
BOOK REVIEW: Interactive Music Systems
BOOK REVIEW: The Music Machine
BOOK REVIEW: The Digital Word: Text-Based Computing in the Humanities
COMPUTER SOFTWARE REVIEW: Fractals for the Macintosh/Mandella v8.71
AUDIO COMPACT DISC REVIEW: Venturi Shadows
AUDIO COMPACT DISC REVIEW: Contemporary Flute Music
BOOK REVIEW: Hand and Mind: What Gestures Reveal About Thought
BOOK REVIEW: To Infinity and Beyond; A Cultural History of the Infinite

LEONARDO DIGITAL REVIEW NOTICES

LEONARDO DIGITAL REVIEWS CLASSIFIED ADVERTISEMENTS

LEONARDO SPACE ARTS NEWS

ANNOUNCEMENTS: IAA SYMPOSIUM: IMPACT OF SPACE AGE ON OUR CULTURE
( TEXTS: FROM UPCOMING CONFERENCE ON INSPIRATION OF ASTRONOMICAL
PHENOMENA ON LITERATURE, ART, MYTH AND HISTORY

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Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.