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Leonardo Electronic Almanac / Volume 2, No. 7 / July 1994

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Leonardo Electronic Almanac
Volume 2, No. 7
July 1994
ISSN #1071-4391
TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris
Errata

FEATURE ARTICLES
The Automatic Confession Machine: A Catholic Turing Test Greg Garvey
How can we talk about the aesthetics of interaction? Stephen Bell
ISEA’94 Helsinki – Poster Session – SIN AS A HIGH YIELD INVESTMENT Greg Garvey

PROFILES
SIGGRAPH 94 Special Venue: The Edge Jacquelyn Ford Morie

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

Files:

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.