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Leonardo Electronic Almanac / Volume 2, No. 8 / August 1994

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Leonardo Electronic Almanac
Volume 2, No. 8
August 1994
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION Craig Harris
This issue
Acknowledgements

FEATURE ARTICLES
The Architecture of Cyberception Roy Ascott
Minute Manifesto Roy Ascott
L-systems, Melodies, and Musical Structure Stephanie Mason, Michael Saffle
Editor’s Note: What is Composition? Stephen Travis Pope

PROFILES
Drawing on the Brain John Law
Waxweb MosaicMOO David Blair

ANNOUNCEMENTS
The 1995 John Fisher Memorial Prize Philip Alperson
The 4th International Biennale in Nagoya – ARTEC’95 -International Open Competition and Exhibition Tomomi Sato
Multimedia ‘94 – Conference Preview Meera Blattner
Research studentships still available at CAIIA Sally Willson
The Art DEADLINES List R. Gardner

PUBLICATIONS
Call For Papers: The Journal of Aesthetics and Art
Criticism (JAAC) – Perspectives on the Arts and Technology Philip Alperson
1994 Prix Ars Electronica Publications Peter Schoeber
International Journal of Supercomputer Applications and High-Performance Computing Michael Darden
New Journal Announcement—Cultronix

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

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Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.