Old Issues

Leonardo Electronic Almanac / Volume 2, No. 9 / September 1994

Posted by on

Leonardo Electronic Almanac
Volume 2, No. 9
September 1994
ISSN #1071-4391
TABLE of CONTENTS

INTRODUCTION
LEA Editorial Board Announcement
This issue
New Editorial Address for LEA and for the Leonardo Book Series
LEA Mosaic/WWW update
Address update

COMMENTARY
Interactivity Sonya Rapoport

FEATURE ARTICLES
Visualizing Music & Sound – An Annotated Bibliography Craig Harris
Fancy at Net – The Electronic Carnival Artemis Moroni, Josei Augusto Mannis and Paulo Gomide Cohn

PROFILES
Binary Visions – Exhibition and Artist Profile Mary Lou Bock

LEONARDO DIGITAL REVIEWS Roger Malina et al
Email to the LDR Editor
Do We Still Need Curators?
A Comment On the Future Role of Curators in the Electronic Arts
World Wide Web Site Review: New York Artline
Conference Review: “Music & Multimedia ‘94” – Installment 3
Book Review: Der Prix Ars Electronica 93. Internationales Kompendium der Computerkuenste (International compendium of the computer arts)
Exhibit Review: “Truth and Fiction: A Journey from Documentary to Digital Photography”
Leonardo Digital Review Notices
Leonardo Digital Reviews Classified Advertisements

ANNOUNCEMENTS
ASCI: Fall 1994 Speakers for “Art & Technology Speaker Series”
The computer – why it is changing both art and science
The Sculpture City Networkshop FTP-site
ISEA 95 Montreal
The Center for Visual Creation Training Program
Enter the Electronic River – International FAX art exhibition
Art Futura 94: Cyberculture – Man Amplified

LEA FORMAT CONVENTIONS

LEA FTP ACCESS

LEA PUBLISHING & SUBSCRIPTION INFORMATION

Files:

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.