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Leonardo Electronic Almanac / Volume 3, No. 1 / January 1995

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Leonardo Electronic Almanac
Volume 3, No. 1
January 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
January 1995 and beyond
This issue
New LEA Editorial Email Address Craig Harris

FEATURE ARTICLES
Jim Campbell – Video Installation Sonya Rapoport

PROFILES
Exhibition: Digital Identities – Technologies of Meaning Joseph DeLappe
Electronic Music Foundation begins operations Joel Chadabe
Three New Projects of the
International Computer Music Association Allen Strange

LEONARDO DIGITAL REVIEWS Roger Malina et al
Digital Art Review: New Voices New Visions
Journal Review: Musicworks
Opening Day for the San Francisco Museum of Modern Art
1995/96 International Directory of the Electronic Arts
Space Arts News
Leonardo Digital Reviews Notices
Leonardo Digital Reviews Classified Advertisements

ANNOUNCEMENTS
IJCAI-95 Workshop on Intelligent Multimedia Information
Retrieval
IJCAI-95 Workshop on Artificial Intelligence and Music
The MIT Press is Recipient of $150,000 Mellon Grant
CYBERSTAR ‘95 Competition
XI Colloquium of Musical Informatics

PUBLICATIONS
Call for Papers – Leonardo Journal and Leonardo WWW site

LEA FORMAT CONVENTIONS
LEA WWW & FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.