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Leonardo Electronic Almanac / Volume 3, No. 10 / October 1995

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Leonardo Electronic Almanac
Volume 3, No. 10
October 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris

FEATURE ARTICLES
Images du Futur 1995 – Arts Arena or Amusement Arcade? Herve Fischer “the African”
Images du Futur 1995 – Works in the exhibition

LEONARDO DIGITAL REVIEWS Roger Malina et al
Conference Review: ISEA 95 Sonya Rapoport
Book Review: World Changes; Thomas Kuhn and the Nature of Science Roger Malina
Book Review : Book for the Unstable Media / Boek voor de Instabiele Media Rolf Wilkinson & Axel Mulder
Book Review: Engineering and the Mind’s Eye, by Eugene S. Ferguson Kasey Rios Asberry

ANNOUNCEMENTS
The Seventh International Symposium on Electronic Art (ISEA96)
Merged Realities: A Synthesis of Art and Science

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.