Old Issues

Leonardo Electronic Almanac / Volume 3, No. 12 / December 1995

Posted by on

Leonardo Electronic Almanac
Volume 3, No. 12
December 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris

FEATURE ARTICLES
SIBGRAPI 1995 Craig Harris

PROFILES
Wanderings into the Creative Process of a Computer Artist Tania Fraga
Arteonica – Computer Art Work of Waldemar Cordeiro Nelson Mascarenhas

PUBLICATIONS
“World Wide Web Design Guide”, by Stephen Wilson

LEONARDO DIGITAL REVIEWS Roger Malina et al
Book Review: “Kinetics”, by V. F. Koleichuk Bulat M. Galeyev
Book Review: “Hidden Order” by John H Holland Roger Malina
Book Review: “Networking: Thinking About Mail Art”, by Chuck Welch Mit Mitropoulos
Reviewer’s Bio: Richard Land

ANNOUNCEMENTS
Eighth Annual Digital Be-In – Multimedia Concert and Exhibition Moves Into Cyberspace Bob Gelman

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION
ADVERTISING

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.