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Leonardo Electronic Almanac / Volume 3, No. 3 / March 1995

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Leonardo Electronic Almanac
Volume 3, No. 3
March 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris

FEATURE ARTICLES
Virtual Female – a group exhibition at the LAB Zoey Kroll
“Out There Art” – Exhibition of Student Artwork Joan Truckenbrod

PROFILES
The Incident – An international symposium to examine art, technology and phenomena Rob La Frenais
The LAB Gallery Zoey Kroll

LEONARDO DIGITAL REVIEWS Roger Malina et al
Introduction: Conflict of Interest by Roger Malina
Editorial: A Fuller Bridge by Istvan Hargittai
Book Review: Symmetry reviewed by Michele Emmer
Book Review: The Well-Tempered Object reviewed by Jason Vantomme
Book Review: Chemistry Imagined reviewed by Jose Elguero
CD Review: Places, Times and People reviewed by Curtis Karnow
CD Review: Elsewheres reviewed by Curtis Karnow
Book Review: Data Trash reviewed by Thom Gillespie
Leonardo Digital Reviews Notices

ANNOUNCEMENTS
Media Artists: Show Work in Mexico City
Utopia/Dystopia: the Third Annual Conference on Feminist Activism and Art

PUBLICATIONS
MIT’s PRESENCE 3:3 Has Won a PSP Award

JOB ANNOUNCEMENTS
Interactive Arts Position – Gwent College of Higher Education
Preliminary Position Posting – Alabama State University
Positions in Music and Multimedia at McGill University

LEA FORMAT CONVENTIONS
LEA FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.