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Leonardo Electronic Almanac / Volume 3, No. 5 / May 1995

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Leonardo Electronic Almanac
Volume 3, No. 5
May 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris

PROFILES
The Robotic Artist – Harold Cohen’s expert system AARON Gail Jennes
Tourism: Into the 21st Century – a video exhibition Nancy Buchanan

FEATURE ARTICLES
Alternative Virtual Biennial Exhibition – An Introductory Essay and Artist Profiles Paul Warren

LEONARDO DIGITAL REVIEWS Roger Malina et al
Editorial Comments: Harry Rand
Book Review: A Passion for Wings: Aviation and the Western Imagination 1908-1918, by Robert Wohl Michael Dashkin
Exhibit Review: Whirling & Twirling, Kinetic Art in Moscow I. Presnetsova
WWW Review: KIDART, Int’l Computer Graphics Forum Kasey Rios Asberry
WWW Review: YLEM, Art On The Edge Kevin Murray
Reviewer’s Bio: Roy Ascott

ANNOUNCEMENTS
The Digital Dialectic: A Conference on the Convergence of Technology, Media & Theory Peter Lunenfeld
MONO/PROD: a Mail Art Show Conrad H Ross
SCAN ‘95 Steven Berkowitz
Experimental Television Center Residency Program Ralph Hocking

PUBLICATIONS
Terra Nova: Nature and Culture
Configurations – A Journal of Literature, Science and Technology

INFORMATION REQUEST
Intelligent communication cards needed in Argentina Cesar P. Verdes

LEA FORMAT CONVENTIONS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.