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Leonardo Electronic Almanac / Volume 3, No. 6 / June 1995

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Leonardo Electronic Almanac
Volume 3, No. 6
June 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris

PROFILES
Longing and Belonging:  From the Faraway Nearby Bruce W. Ferguson

FEATURE ARTICLES
Molten Media and The Infiltration of The Law Curtis E.A. Karnow

LEONARDO DIGITAL REVIEWS Roger Malina et al
Book Review: Cassette Culture, by Peter Manuel Gerald Hartnett
Exhibit Review: Hershman and Savage Sonya Rapoport
Exhibit Review: MIT Museum Holograms Roger Malina
Exhibit Review: The Science Book and the Artist Will Marchant
Reviewer’s Bio: Michele Emmer
Classified Advertisements
Digital Review Notes

ANNOUNCEMENTS
EDUGRAPHICS ‘95 and COMPUGRAPHICS ‘95 – Last Call

JOB/OPPORTUNITIES
Two Research Studentships at Centre for Advanced Inquiry in the Interactive Arts (CAIIA)
f.Stop Photography Gallery and Darkrooms seeks new Director
Berklee College of Music seeks Chair for Music Synthesis Department
Chair in Music: LaTrobe University

LEA FORMAT CONVENTIONS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Posted by:  Ozden Sahin (LEA Co-editor and Curator)

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.