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Leonardo Electronic Almanac / Volume 3, No. 7 / July 1995

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Leonardo Electronic Almanac
Volume 3, No. 7
July 1995
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue Craig Harris

FEATURE ARTICLES
Cinematic Thresholds – Instrumentality, Time & Memory in the Virtual Ed Keller

PROFILES
Basilisk: a quarterly journal of film, architecture, philosophy, literature, music, and perception Ed Keller, University of Art and Design Helsinki UIAH

LEONARDO DIGITAL REVIEWS Roger Malina et al
CD Reviews: ‘Tuba Intim’ & ‘Wreckin Ball’, by Michael Vogt Curtis Karnow
CD Review: ‘The Last LP CD – Unique last recordings of the music of ancient cultures’, assembled by Michael Snow Axel Mulder
Book Review: ‘Macromedia Director Studio’, by Bove & Rhodes Paul Hertz
CD-ROM Review: ‘the clearing’, by George Legrady Thom Gillespie
Book Review: ‘Birth of an Artistic Integrity’, by Ye.V. Sintzov Bulat Galeyev
Reviewer’s Bio: Julean Simon

ANNOUNCEMENTS
The Live Art/Performance Art Archive Web Site Barry Smith
The 9th Annual Institute for Music & Healing Rebecca Mercuri
Call for electro-acoustic installations Wayne Siegel
World Wide F*A*X Art- Project: ART IS… Hugo Heyrman
Installations for the 1996 International Computer Music Conference – Hong Kong Lydia Ayers
Emerging Artists ‘96 Competition
Slowinski Gallery
Creativity and Cognition 1996 – Intersections between Art, Technology and Science Linda Candy
4th International Conference on Music Perception and Cognition Bruce Pennycook and Eugenia Costa-Giomi

JOBS/OPPORTUNITIES
Technical Director – University of California at Santa Barbara
Dartmouth Electro-Acoustic Music Graduate Program

ACKNOWLEDGEMENTS
LEA FORMAT CONVENTIONS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION
ADVERTISING

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.