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Leonardo Electronic Almanac / Volume 4, No. 11 / November 1996

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Leonardo Electronic Almanac
Volume 4, No. 11
November 1996
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue
Craig Harris

FEATURE ARTICLE
ORNITORRINCO IN THE SAHARA
Eduardo Kac

PROFILE
Corpus Delecti & Chinese On-Line
at the Institute of Contemporary Arts, London
Sholto Ramsay

LEONARDO DIGITAL REVIEWS
Roger Malina et al
Book Review: MASS MEDIA and SOCIETY, Edited by James Curran and Michael Gurevitch
Reviewed by Molly Hankwitz
Conference Review: The Total Museum Conference
Reviewed by Hertz & Barbier
Book Review: Visualizing with CAD, by Daniela Bertol
Reviewed by Michele Emmer
Book Review: SOL POWER, by Sophia and Stefan Behling
Reviewed by Eva Belik Firebaugh
Digital Review Notes

PUBLICATIONS
IDEA goes Online at http://nunc.com

OPPORTUNITIES
Three Positions and a Request for Workshop Proposals at the School of the Museum of Fine Arts, Boston
Co-Editor – SEAMUS Newsletter

ANNOUNCEMENTS
NO-TV’97
Marking Time: The Art of Measuring Change Technology Review’s photo contest
1997 INTERACTIVE MEDIA DESIGN REVIEW – I.D. MAGAZINE

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 4, No. 11 / November 1996

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.