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Leonardo Electronic Almanac / Volume 4, No. 12 / December 1996

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Leonardo Electronic Almanac
Volume 4, No. 12
December 1996
ISSN #1071-4391

TABLE of CONTENTS

PROFILES
HYPNAGOGUE
Ed Keller
MUSIC-BASED VIRTUAL REALITY at Seattle’s Pacific Science Center
Christian Greuel

FEATURE ARTICLE
CYBEREPOSITORIES — for GLORY OR MISERIES?
Lin Hsin Hsin

LEONARDO DIGITAL REVIEWS
Roger Malina et al
Book Review: High Noon on the Electronic Frontier, Edited by Peter Ludlow
Reviewed by Stephen Wilson
Book Review: Engineering a New Architecture by Tony Robbins
Reviewed by Rudolf Arnheim
Book Review: Van Gogh 100, edited by Joseph D. Masheck
Reviewed by Wilfred Arnold
Book Review: Nanotechnology, Edited by B.C. Crandall
Reviewed by Istvan Hargittai
Reviewer’s Introduction: Misha Vaughn
Classified Advertisements

PUBLICATIONS
Computer Music: The Next 20 Years

OPPORTUNITIES
Walker Art Center – Design Position
Opportunities at the School of the Art Institute of Chicago
Electronic Music Graduate Assistantships: 1997-98 – Ohio State University School of Music

ANNOUNCEMENTS
CONVERGENCE X – International Art Festival
ONGOINGS: The Fine Arts Gallery – SIGGRAPH 97
EuCuE Series XV – Concerts of Electroacoustic Music
Pauline Oliveras Foundation – FREEDOM SUMMER
Louis Vuitton Moet Hennessy “Science for Art” prize
LEAF’97
ISEA97 at the School of the Art Institute of Chicago

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 4, No. 12 / December 1996

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.