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Leonardo Electronic Almanac / Volume 4, No. 2 / February 1995

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Leonardo Electronic Almanac
Volume 4, No. 2
February 1996
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This Issue Craig Harris
LEA Update

PROFILES
Zeitgeist Larry Fuchsberg
Arte no Seculo XXI: a Humanizacao das Tecnologias Roy Ascott
family values – Interactive Installation Joan Truckenbrod

LEONARDO DIGITAL REVIEWS Roger Malina et al
Special Issue, World Wide Web: The Compleat Web-ster Kevin Murray, Guest Editor
Leonardo Celebrates its 30th Anniversary

PUBLICATIONS
TERRA NOVA: Nature and Culture – Volume 1, Number 1 David Rothenberg, Editor

ANNOUNCEMENTS
ISEA 96 Update
First International Music Software Competition
Multidisciplinary Musical Meetings 96 – Music & Mathematics
Artists Using Water To Make Music
COLLAGE: APARTMENTS’ MUSICS
Electronic Music Foundation Launches Its World Wide Web Site
WSCG’97 – The Fifth International Conference in Central Europe on Computer Graphics and Visualization 97
SHANGHAI FAX
Symmetry Symposium at the Smithsonian

OPPORTUNITIES
The Rooke Chair in Engineering, Design, and Aesthetics
Internships Postings – Walker Art Center

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.