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Leonardo Electronic Almanac / Volume 4, No. 6 / June 1996

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Leonardo Electronic Almanac
Volume 4, No. 6
June 1996
ISSN #1071-4391

TABLE of CONTENTS

INTRODUCTION
This issue
Craig Harris

PROFILES
Johannes Birringer and AlienNation Co.
Johannes Birringer
Ron Rocco – Two Works on the World-Wide-Web
Ron Rocco

LEONARDO DIGITAL REVIEWS
Roger Malina et al
Book Review: The Body and the Self
edited by Jose Luis Bermudez, Anthony Marcel, and Naomi Eilan
Rudolf Arnheim
Book Review: Movement, Structure and the Work of
Santiago Calatrava, by Alexander Tzonis and Liane Lefaivre
Josh Firebaugh
Article Review: The Neurobiology of Kinetic Art, by S. Zeki and M. Lamb
Roger Malina
Book Review: HEALTH AND HAPPINESS in 20th-Century Avant-Garde Art, by Donald Kuspit and Lynn Gamwell
Sonya Rapoport
Reviewer’s Bio: Josh Firebaugh
Editors_ Note: WWW access

ANNOUNCEMENTS
Prizes, Statement of the Jury – First International Music Software Competition
IRCAM New Multimedia Library
SONIC CIRCUITS IV, International Festival of Electronic Music

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 4, No. 6 / June 1996

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.