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Leonardo Electronic Almanac / Volume 4, No. 9 / September 1996

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Leonardo Electronic Almanac
Volume 4, No. 9
September 1996
ISSN #1071-4391

TABLE of CONTENTS

PROFILES
The Soros Center for Culture & Communication (C3) – Budapest
Locus+
Action Concret

LEONARDO DIGITAL REVIEWS
Roger Malina et al
Article Review: “Le Reve de L’Univers” by J. P. Luminet, Reviewed by Roger Malina
Exhibit Review: LUMEN-ESSENCE 2, Reviewed by: Richard Leslie
< Conference Review: Natural and Invented Visual Embodiments of Music, Reviewed by Trudy Myrrh
Digital Review Notes

PUBLICATIONS
virtureal ton
Convergence: The Journal of Research into New Media
Technologies Call for Papers/Summer 97 issue
Consciousness Reframed
Sonic Arts Network – Call for articles

ANNOUNCEMENTS
“Music of Japan Today III: Tradition and Innovation”
Consciousness Revealed Symposium
The Fifth International Conference in Central Europe on Computer Graphics and Visualization’97
Building a Renaissance Community – a symposium and exhibition at the Aronoff Center for the Arts
The Incident 1996
Art in the Electronic Age – Perspectives of a New Aesthetic
From Energy to Information: Representation in Science, Art, and Literature
The Total Museum – an Interactive Multimedia Conference

OPPORTUNITIES
Computer Music programmers needed at IBM
Minnesota State Arts Board seeks Executive Director

ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 4, No. 8 / August 1996

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.