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Leonardo Electronic Almanac / Volume 5, No. 10 / October 1997

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Leonardo Electronic Almanac
Volume 5, No.10
October 1997
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLE
ISEA 97 Panel Discussion: Past, Present, and Future of Publishing
in the Electronics Arts
Craig Harris, et.al.
 
PROFILES
SIGGRAPH 98
Joan Truckenbrod
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Editor’s Note: Intersections with New Media Series
Intersection of Architecture & New Media: Intimacy, the Spiritual and the Communicative By Molly Hankwitz
Book Review: Intellectual Capital, The New Wealth of Organizations By Thomas A. Stewart
Reviewed by Richard Kade
Book Review: Abstracting Craft By Malcolm McCullough
Reviewed by Kevin Murray
Book Review: Paul McCarthy By Ralph Rugoff, Kristine Stiles, Giacinto Di Pietrantoni
Reviewed by Sonya Rapoport
Reviewer’s Introduction: Richard Kade
Digital Review Notes
 
OPPORTUNITIES
Digidesign Technical Support
Department of Music – Princeton University
CagEnt – Audio DSP Software Engineer
Nijmegen Institute of Cognition and Information:Music Cognition
Ohio University College of Fine Arts – Instructional Technology Specialist
UC Berkeley, Department of Art Practice – Assistant Professor in New Genres
 
ANNOUNCEMENTS
Seventh Annual Florida Electroacoustic Music Festival
Leonardo Music Journal, Vol. 8 (1998) – Theme: "Ghosts and Monsters"
IEEE CG&A Computer Animation for Virtual Humans Conference
The 2nd Annual Santa Fe International Electro-Acoustic Music Festival
SCAN Symposium on Small Computers in the Arts
Organised Sound – Issue Thematic Title: Microstructure and Macrostructure
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 5, No. 10 / October 1997

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.