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Leonardo Electronic Almanac / Volume 5, No. 2 / February 1997

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Leonardo Electronic Almanac
Volume 5, No. 2
February 1997
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
Craig Harris
LEA 1997
This issue
 
PROFILES
Survey of Recent Works by Greg Garvey
Music for the XXI Century – This Summer at New York University
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Book Review: Dimensions of Creativity, Edited by Margaret A. Boden
Reviewed by Wilfred Niels Arnold
Book Review: Aesthetic Criteria, by Sheldon Richmond
Reviewed by Istvan Hargittai
Book/Event Review: Chaos & Wise Women by Abraham & Shlain
Reviewed by Trudy Myrrh Reagan
Article Review: The neurobiology of kinetic art, by S. Zeki and M. Lamb
Reviewed by Roger Malina
Exhibit Review: Digital Salon Exhibition, Sponsored by Siggraph
Reviewed by Flash Light
 
PUBLICATIONS
Striking Distance
Venetian Deer – a new CD-ROM by Die Veteranen
 
OPPORTUNITIES
LEONARDO MUSIC JOURNAL – Editor-in-Chief Position
 
ANNOUNCEMENTS
Music and Notations: Multidisciplinary Musical Meetings 97
Media~Space!
Horizons in Computer Music at Indiana University School of Music
Bachelor of Science in Visualization at the Minneapolis College of Art and Design (MCAD)
JIM’97 – Extended Deadline Announced
Fourth Brazilian Symposium on Computer Music
Fourth International Conference on Hypermedia and Interactivity in Museums
National Conference of the Association for Technology in Music Instruction
 
ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION
Leonardo Electronic Almanac / Volume 5, No. 2 / February 1997

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.