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Leonardo Electronic Almanac / Volume 5, No. 3 / March 1997

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Leonardo Electronic Almanac
Volume 5, No. 3
March 1997
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This issue
Craig Harris
 
PROFILES
Technophobia
Dooley Le Cappellaine
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Book Review: Iterations, The New Image Edited by Timothy Druckrey
Event Review: The New Cultural Gatekeepers
Book Review: Fair Use: The Story of the Letter U and the Numeral 2 by Negativland
Conference Review: MILIA in Cannes
Announcement: The Artist as Space Explorer Web site
 
PUBLICATIONS
Madness and Creativity
 
OPPORTUNITIES
Electronic Arts Faculty Vacancies at iEAR Studios
Salford University Music Department: Three-year Ph.D. Scholarship
Seer Systems, Inc.: Multiple positions
 
ANNOUNCEMENTS
Leonardo Moves
Sarus Ensemble and Friends; a live internet broadcast
Art and Mathematics Conference
Workshop on Tools for Computer Music Composition and Performance and Workshop on Kansei: The Technology of Emotion
Systems, Man, and Cybernetics
International Conference on Auditory Display
ISEA97 Update
 
ACKNOWLEDGEMENTS
LEA World Wide Web AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 5, No. 3 / March 1997

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.