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Leonardo Electronic Almanac / Volume 5, No. 5 / May 1997

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Leonardo Electronic Almanac
Volume 5, No. 5
May 1997
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
Craig Harris
This issue
MIT Press moves – NOTE Change in LEA file server!
LEA Web Development
Errata
 
FEATURE ARTICLES
Robotic Art
Eduardo Kac and Marcel.li Antunez Roca
 
PROFILES
Sands in Time
Barb Morris
Windows 97 – a new site work
Paul Wong
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Editorial: In Collaboration with Machines
By Curtis Karnow
Book Review: The Future of the Book Edited by Geoffrey Nunberg
Reviewed by Kevin Murray
Book Review: Making PCR, A story of biotechnology, by Paul Rabinow
Reviewed by Roger Malina
Book Review: Cognition and the Visual Arts, by Robert Solso
Reviewed by Istvan Hargittai
 
OPPORTUNITIES
UPDATE: Electronic Arts Tenure Track Position – iEAR STUDIOS
Department of the Arts, Rensselaer Polytechnic Institute
 
ANNOUNCEMENTS
KANSEI – The Technology of Emotion – an AIMI International Workshop
ICAD ’97 – The Fourth International Conference on Auditory Display
JIM’97 – Journees d’Informatique Musicale
Sonic Circuits V Electronic Music Festival
Invitation / Call For Works
International Summer Meeting Of Electroacoustic Music In Sarvar
 
ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 5, No. 5 / May 1997

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.