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Leonardo Electronic Almanac / Volume 5, No. 6 / June 1997

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Leonardo Electronic Almanac
Volume 5, No. 6
June 1997
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This issue
Craig Harris
LEA design statement
Patrick Maun
 
FEATURE ARTICLES
Introduction to Consciousness Reframed
Roy Ascott
 
PROFILES
Consciousness Reframed: art and consciousness in the post-biological era
Intelligence, Technology & ARTificial Society Who or what are we becoming?
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Editorial: You ask me about the Xingo Indians…
By Roy Ascott
Book Review: Duchamp: Passim, A Marcel Duchamp Anthology, edited by Anthony Hill
Reviewed by Douglas Kahn
Video Review: There. Here: Visions from the periphery of the New World
Reviewed by Kasey Rios Asberry
Book Review: Kant After Duchamp by Thierry de Duve
Reviewed by Mark Cheetham
Exhibition Review: DISRUPTURE and CYBERHOME 2000
Reviewed by Rapoport & Williams
 
PUBLICATIONS
Musical Signal Processing edited by Curtis Roads, Pope, Piccialli and De Poli
Signal Processing, Speech and Music, by Stan Tempelaars
 
ANNOUNCEMENTS
Solar art exhibition in Finland
47th Biennale of Venice
CNMAT Summer Workshop 1997
Computer Music Conference-USA, The Roland Group
Six Exquisites International Sound Art Festival II (Tacoma)
ACKNOWLEDGEMENTS
LEA WORLD WIDE WEB AND FTP ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 5, No. 6 / June 1997

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.