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Leonardo Electronic Almanac / Volume 5, No. 8 / August 1997

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Leonardo Electronic Almanac
Volume 5, No. 8
August 1997
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
PROFILES
Eighth International Symposium on the Electronic Arts
Shawn Decker
Collected Visions Web Site
Lorie Novak et. al.
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Book Review: Dialogues on Perception
Reviewed by Roy R. Behrens
Book Review: The Ingenious Machine of Nature
Reviewed by Roy R. Behrens
CD ROM Review: Song of Songs, Computer Music by Barry Truax
Reviewed by Paul Hertz
Book Review: The Glory of van Gogh by Nathalie Heinich
Reviewed by Wilfred Niels Arnold
WWW Review: Original Version, Biennale de Lyon
Reviewed by Nathalie Laforgue
Digital Review Notes
 
OPPORTUNITIES
Visiting artist/lecturer (short term) – Columbus College of Art & Design
Composer/Theorist – Stanford University Department of Music
 
PUBLICATIONS
Call For Submissions – Journal of Electroacoustic Music
Call For Submissions – Organised Sound
 
ANNOUNCEMENTS
Intersculpt’97 News
Call For Submissions – International Documentation of Electroacoustic Music; Berlin, Germany
Call For Submissions – ICMC98
Call For Composers & Presenters – SEAMUS ’98
IEEE Multimedia Systems’98
Rhizome
MITPress Editor Meets Authors at ISEA
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 5, No. 8 / August 1997

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.