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Leonardo Electronic Almanac / Volume 5, No. 9 / September 1997

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Leonardo Electronic Almanac
Volume 5, No. 9
September 1997
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
PROFILES
Special documenta X
Silicon Valley Institute of Art and Technology
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Exhibition Review: Organically Grown
Reviewed by Roger Malina
Book Review: Symmetry in Music, 2 works
Reviewed by E.V.Sintsov
Book Review: Methods of Predicting the Development of Art Perspectives
Reviewed by Svetlana Sintzova
Book Review: The Blue Rider by W.Kandinsky and F.Mark
Reviewed by Bulat Glaeyev
Digital Review Notes
 
OPPORTUNITIES
IRCAM – AudioSculpt and Developer Job Opportunities
Two Computing Posts: Revelation Project
UC Berkeley, Department of Art Practice – Assistant Professor
 
ANNOUNCEMENTS
Art, Tech & Culture Colloquium at Berkeley
2nd International CAiiA Research Conference
2nd Annual Santa Fe International Electro-Acoustic Music Festival
INTERSCULPT’97 News
ONIX – Nuevo Ensamble de Mexico: Call for Scores
VW 98: Artificial and Virtual Worlds
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 5, No. 9 / September 1997

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.