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Leonardo Electronic Almanac / Volume 6, No. 1 / January 1998

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Leonardo Electronic Almanac
Volume 6, No. 1
January 1998
ISSN #1071-4391
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLE
Blinded… and the new LEA Gallery
Carl DiSalvo and Patrick Maun
 
PROFILE
CAIIA+STAR
Roy Ascott
 
LEONARDO DIGITAL REVIEWS
Roger Malina et al
Audio CD Review: Mouse Trap Music by Mark Applebaum
Reviewed by Axel Mulder
Book Review: Painting the Heavens by Eileen Reeves
Reviewed by David Topper
Book Review: Le Ton bon de Marot by Douglas R. Hofstadter
Reviewed by Richard Kade
Book Review: Microcosmos by Margulis & Sagan
Reviewed by Kasey Asberry
Conference Review: The Artist and Philosophy of Colour
Reviewed by Mikhail S. Zalivadny
Book Review: Design Literacy
Reviewed by Roy Behrens
Digital Review Notes
 
OPPORTUNITIES
Dartmouth College – Bregman Electronic Music Studio
Brown University Department of Music
University of Wisconsin-Milwaukee School of Fine Arts
Pratt Institute, Brooklyn – Computer Graphics Faculty Positions
 
ANNOUNCEMENTS
Scripted Spaces: An ITA Conference
XII Colloquium on Musical Informatics
Call for papers: SCI ‘98
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION
 

Leonardo Electronic Almanac / Volume 6, No. 1 / January 1998

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.