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Leonardo Electronic Almanac / Volume 6, No. 11 / November 1998

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Leonardo Electronic Almanac
Volume 6, No. 11
November 1998
ISSN #1071-439
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
 
Are you Waving or Drowning?:Art, Interaction, Manipulation and
Complexity (excerpts)
Josephine Anstey
 
Transgenic Art (excerpts)
Eduardo Kac
 
The flesh made word: ISEA98 (excerpts)
Nathania Vishnevsky
 
LEONARDO DIGITAL REVIEWS
Michael Punt et al
 
Book Review: The Panorama: History of a Mass Medium
Reviewed by Oliver Grau
Book Review: Les Particules Elementaires
Reviewed by Roger Malina
Event Review: Experiments in Musical Intelligence
Reviewed by Richard Kade
 
OPPORTUNITIES
Technical Position Indiana University School of Music
Music Technology Director-SUNY Buffalo
Program in Film and Video Studies-University of Michigan,Ann Arbor
 
ANNOUNCEMENTS
Calls for Papers: Leonardo Music Journal 1999 and 2000
Leonardo Space and the Arts Workhops
LIFE 2.0 International Competition
Symposium: Emergent Futures: Art in the Post-Biological Era
Cognitive Science Conference on Perception, Consciousness and Art >
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 6, No. 11 / November 1998

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.