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Leonardo Electronic Almanac / Volume 6, No. 12 / December 1998

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Leonardo Electronic Almanac
Volume 6, No. 12
December 1998
ISSN #1071-439
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLES
Gemini Rising, Moon in Apollo: Attitudes on the Relationship
Between Art and Technology in the US, 1966-70 (excerpts)
Edward A. Shanken
 
Arts Infused Education Bibliography (excerpts)
Linnette Werner
 
PROFILES
Me, Myself and I: Becoming an Imagician with the Iamascope in Performance (excerpts)
Sidney Fels
 
LEONARDO DIGITAL REVIEWS
Michael Punt et al
 
Web Review: WOWEM, Young Women Interested in Electronic Art and Music
Reviewed by Frieder Nake
Web Review: WOWEM, Young Women Interested in Electronic Art and
Music
Reviewed by Molly Hankwitz
Book Review: The Jew of Linz by Kimberly Cornish >
Reviewed by Sophie Hampshire
Book Review: Freakery (Ed.) by Rosemary Garland Thomson >
Reviewed by Richard Mitchell
Book Review: XML & SGML Cook Book by Rick Jelliffe
Reviewed by Kasey Rios Asberry
 
ANNOUNCEMENTS
Invitation – Symposium at Pepperdine in Malibu
ANAT National School for New Media Art Curation
LIFE 2.0 Call for Works
ISEA Virtual Africa Project
Symposium on AI and Musical Creativity >
IMMEDIA 99: Anything Digital
AES 16th International Conference
CREATE Symposium “Sound in Space”
Final Call for CogSci Conference
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 6, No. 12 / December 1998

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.