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Leonardo Electronic Almanac / Volume 6, No. 3 / March 1998

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Leonardo Electronic Almanac
Volume 6, No. 3
March 1998
ISSN #1071-439
 
TABLE of CONTENTS
 
INTRODUCTION
This Issue
Craig Harris
 
FEATURE ARTICLE
An Embryonic Scan of the Aesthetic Parameters of Technological Means (excerpts)
Maureen Nappi
 
PROFILE
I Paint The Cosmos (excerpts)
Leah Lubin
 
A Living Map: CrimeZyland (excerpts)
Stephen Wilson
 
LEONARDO DIGITAL REVIEWS
Michael Punt et al
 
Editorial: Art and the Artificial
Written by Freider Nake
Exhibition Review: documenta X and Its Media Concept
Reviewed by Sabine Fabo
Book Review: A Short History of the Shadow
by Victor I. Stoichita
Reviewed by Roy Behrens
Book Review: Road to Pleiades and the Crystal of Aquarius, Russian Artists-Cosmists
by Yury Linnik
Reviewed by Bulat Galeyev
Digital Review Notes
 
PUBLICATIONS
Composing Interactive Music:Techniques and Ideas Using Max
 
OPPORTUNITIES
iEAR Studios: Assistant Engineer
 
ANNOUNCEMENTS
Les Ateliers UPIC, Paris, France
ArtSci98 Symposium
A New Locus+ Project
Nexus ‘98:Relationships between Architecture and Mathematics
ARS Electronica Festival 98
 
ACKNOWLEDGMENTS
LEA WORLD WIDE WEB ACCESS
LEA PUBLISHING & SUBSCRIPTION INFORMATION

Leonardo Electronic Almanac / Volume 6, No. 3 / March 1998

Lanfranco Aceti is known for his social activism and extensive career as artist, curator, and academic. He is a research affiliate and visiting professor at ACT @ Massachusetts Institute of Technology and director of the Arts Administration Program at Boston University. He is also the Editor in Chief of the Leonardo Electronic Almanac, The MIT Press. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; and Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston, with the collaboration of the Boston Children’s Chorus, and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On). In 2017, Aceti prepared a series of new artworks for an exhibition entitled Shimmer and curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra, a new large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki.